Tomorrow I will not go to any event.
The reason is very down to earth: they are working. 8 / 13 and 17/24 if it works well otherwise.
So I'll be content to enjoy the acrobatics of this company which will be on stage tomorrow night for the note:
There are dance companies before which even the layman like myself can not do nothing but take the hat (actually a helmet having regard to the safety rules) and moved to thank the entertainment offered.
I had, among others, will see twice the company Kataklò,
and three times Momix Moses Pendleton,
that are completely different in the message, but it gives the same feeling alienating the immensity of the variables that the human body can be expressed to convey Beauty.
In these shows the lights have a role certainly evocative and essential complement but can never remove the primary focus towards the human body and the evolution of these wonders of nature that perfectly sum up dance, gymnastics and expressive body art. Often we find ourselves from the wings
dancers that come out of their context and stationed in the fifth while they wait to go back: We watch them as they recharge for two minutes, panting, sweating, property with an eye fixed on the scene occupied by others and seems to see the albatross personified as Baudelaire described it.
(this one I made during the show dell'Aterballetto of Reggio Emilia and other "monsters" can not miss if you are in your area)
And then you see these guys out again and start literally trajectories to fly and to do that is difficult to follow even in thought. Only after a bit inside, you feel it too the movement is in sync with the bulk of who is dancing and hear what may communicate who is dancing.
Before and after the show these guys you meet them at the bar of the theater or dressing rooms and have their faces reality by Endemol.
have clean faces and marked by so much hard work, by hours of grueling tests, training, study of the choreography. Also marked by the joy of dancing and a beautiful sight to help with emotions entirely different from those which may be provided by a CRT.
not think I can describe in words the feeling of pride, dignity, but also kindness and friendliness that the girls are able to pass such dance companies as listed. They do not have the slightest look of the girls looking for spotlight easy, nor attitudes character, nor the emptiness squittente transmitted from their television colleagues. This on the job, then in private will "icchèvogliono," as my boss and now I clearly think a comparison between "artists" and "tissue", "friends" or something.
Nah.
It's neither relevant nor serious. Moreover
I worked for a year in the same theater choreographer Garrison, the Belsito of Rome and the American is someone who knows to do his job, the problem in those contexts is not sure who teaches dance, is the ' use and the spirit with which they approach the boys to the dance that is completely different.
I only say that killing the theater kills that possibility for us, for our bodies and our spirit to enjoy a live show in which with the aid of dance and some light, something that we are given a our body but feels unable to express, and these companies do it for us.
And at the end of these shows we feel good that has not been a dance for its own sake and that something has left us.
E 'was only a matter of letting him enter.
(still Aterballetto)
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